
Interestingly for tourists, Taipei is littered with spectacular Chinese-style monuments built on a vast modern scale. Their steeply arched rooves tower over the city as you drive along the freeway, puncturing the usual dreary urban sprawl. Brightly coloured, gargantuan in size and all contructed over the last fifty years, the buildings could easily be dismissed as Disney-esque lapses into bad taste, but somehow I didn’t find them kitsch. They were dignifed, and I thought, distinguished. Certainly Hong Kong has nothing like them. I thought it was nice to see a worldly, modern Chinese city making such a bold statement of its identity.
Pictured above is the eye-popping 1952 Grand Hotel. The skyscraping pavilion glows at night and stands out for its blood-red walls during the day .

But the city’s biggest sightseeing drawcard is the National Palace Museum, home to the best Chinese art collection in the world, salvaged (or pillaged?) from the Forbidden City during the Civil War and spirited away to Taiwan for safe keeping ( perhaps wisely given the Cultural Revolution which was to follow). The museum is housed in a quasi-Beijing palace in one of the city’s Northern suburbs.

But the city’s showpiece is surely the Chiang Kai-shek Memorial, dedicated to the leader of the Kuonmintang, a fierce anti-communist and father of the Republic of China (aka Taiwan). The building is one of the most impressive I have seen – a quasi pyramid topped with a blue roof modelled on Beijing’s Temple of Heaven, flanked by huge, golden-roofed ‘cultural halls’.

Inside, a bronze statue of the General is guarded by soldiers who stand stock-still, seemingly not even blinking, for hours on end before they are relieved of their duty in a bizarre, mechanical “changing of the guards”.

It was surreal and creepy, I have never seen anything like it – the intensity in their eyes, standing still for hours on end, man become machine….
