The gay-themed paper-cut work of a rural Chinese artist known as “the Siberian butterfly”, or Xiyadie, which is part of an exhibition titled “Spectrosynthesis – Asian LGBTQ Issues and Art Now” at Taipei’s Museum of Contemporary Art.
The gay-themed paper-cut work of a rural Chinese artist known as “the Siberian butterfly”, or Xiyadie, which is part of an exhibition titled “Spectrosynthesis – Asian LGBTQ Issues and Art Now” at Taipei’s Museum of Contemporary Art.
The graceful moving facade of the new Bund Finance Centre, Shanghai.
HK culture: when your boss treats you to a meal and she/he subtly manipulates the lazy-susan (the turning table thingy) so the head of the chicken ends up pointing towards you its called “Merciless chicken” 「無情鷄」. You’re fired.
Fan Bing Bing at Cannes
Facts I learned from Jan Morris’s charmingly dated (it was written in the 1990s by an author most interested in British colonial history) book about Hong Kong:
Discussed this weekend with a visiting Shanghai fashionista, the PRC’s look du jour – boys in skinny sweat pants, big colourful Kenzo sweaters, and an MCM backpack. Its the complete package.
Ambition, by Chen Fei.
NSFW after the jump
He has got the voice of an angel, the looks of a K-pop idol and an octave range to bother Mariah Carey: Kazakh singer Dimash Kudaibergenov is the breakout star of this season of China’s hugely popular singing contest “I Am A Singer.” The series has cannily adjusted the usual X Factor format to pit professional, established singers from across the Chinese speaking world against each other, bringing with them their various fan-bases and offering the singers the chance to hit the RMB jackpot on the Mainland. So there are Taiwanese rockers, HK balladeers and the hitherto unknown-outside-of-Central-Asia Dimash who wowed the world’s biggest country with his inaugural performance of a song by Russian singer Vitas (above) and instantly established himself as the one to beat. I’ll be cheering for him.
A list of gay Chinese it-boys; be prepared for lots of very fake-looking photos though…
After a notably warm winter, the cold finally descended on Hong Kong this week, together with the grey. A cloud of pollution which had covered swathes of the mainland blew South, although it wasn’t as bad as in Guangdong and Shanghai.
In one village, a rare bird of prey fell out of the skies, exhausted, after it had been unable to spot prey through the thick grey smog clouds.
The skies have now cleared somewhat, but the forecast is for rain all weekend… a good weekend for snuggling in bed until 1pm, lazing on the couch under a blanket and reading Andres Neuman or Junichiro Tanizaki in cafes in Shek Tong Tsui.
I recently joined instagram, mostly to brighten up my life with a feed of #instagay celebrities, avant-garde fashion icons and other assorted interesting people while I sit on the bus.
Like the flamboyantly funny Thai TV hostess Madam Mod.
New York go-go boy Matthew Camp, currently hawking his own fragrance, called 8.5.
Belo Horizonte muscle-hipster Joapane.
The swoonsome immense_ray (言武) in Shanghai.
Dandrogyny, who performs at Melbourne’s HonchoDisko night (how did I miss that?)
And Japanese go-go king Kenta, now repping his boyfriend’s Korean clubwear brand, VEAKSeoul.
Breathy Faye Wong-essque pop from Taiwanese star Waa Wei.
Arriving in Shanghai for the first time was thrilling. It felt like arriving in The Future, the new world capital. Here was a Tokyo-in-the-eighties money-making monster, ready to take on the world and swallow it whole, its streets lined with (literal) phlegm and (figurative) money. Yes, the people still spat, and pushed and yelled, and some of the shit they wore! But the architecture was astounding, even wreathed in rain and smog. Neon-lit tomorrowland tower peppered the horizon. And the city’s energy was both palpable and contagious.
Here was a city with a complicated history – once a quasi-colonial national humiliation, then birthplace of the Communist party before being shunned by it – roaring back into poll position in the race to remake China, and the world. Shanghai in 2016 is a city of luxury shopping malls, innovative internet solutions and chic art museums, one that can singlehandedly set real estate markets bubbling in Vancouver or crash the price of bauxite in Africa. Yet it is still also in a country with a GDP per capita of 400 US dollars.
The city’s Subway Line Two sweeps like a triumphal avenue from the gleaming tomorrowscape of Pudong to the city’s West, connected to a labyrinthine swarm of lesser lines, and with a major international airport bookmarking it at each end. Here though, planes often wait for hours to take off on the congested runways. High speed trains disgorge immigrants from the countryside and holidaying urbanites returning from the provinces. Crowds push and hustle.
Shanghai is grey and gritty, but effervescent, a city of bright lights and even louder voices, a city which is on the move and waiting for the rest of the world to catch up.