Bangkok: the money monster

12 08 2017

Bangkok is a late capitalist capital par excellence. Everywhere, from the thronged pavement stalls of the tourists strips, to the plush and shiny malls, the seedy red light bars and the alleyways of Chinatown is laden with stuff: things to buy, services to purchase, all provided with a ready smile. There is no city I can think of  where consumption is so conspicuous, and so varied. If you can’t buy it in Bangkok it likely doesn’t exist. As I once wrote, everything the human mind can devise or imitate is on sale here, often advertised commandingly on giant billboards or slick skytrain commercials. I saw one new (and well-situated) condo development tagged shamelessly, “Make yourself the centre of the universe!”

But this city of instant gratification and temptation can be a fickle monster. Trends are big here. Fads sweep through the city and then ebb away, like tsunamis. One minute everyone is crazy for yakiniku restaurants and then suddenly its all about tapas bars or organic wine. That is part of the fun of the city, gauging its obsessions du jour.

An interesting and unexpected trend I noticed on this trip was that the iconic Thailand elephant pants – beloved of backpackers but something of a running joke among the country’s more fashion forward citizens – have been (re)appropriated by Thai young people. I saw more than a few baggy Koh Phangan-style pants on hip Bangkok youth in the night markets and “walking streets”.

Even more interesting was the adoption of thanaka. The traditional Burmese herbal face-paste, until recently the preserve of the elderly and provincial, has made a big comeback in the capital, with a repackaged version given a push from a local personal care goods company. Charmingly yellow powdered faces were visible (often on working class people) around the city.

At the other end of the spectrum, well-to-do Bangkok seems to be flirting with another unlikely import. The city’s African music scene has always been surprisingly healthy but following the lead of trailblazing world music club Studio Lam, there are now at least two other African music-friendly venues aimed at upwardly mobile locals: 12 x 12, another bar in Thonglor described as a “Japanese hipster’s dream” and Third World Bar, on the second floor of the old Tapas on Silom Soi 4.

A less wholesome trend was one I read about in alarming news reports. Apparently the practice of facial surgery to create dimples – by piercing the cheeks with metal pins – had caught on and was now being practiced by unregulated and unqualified merchants at Chatuchak market, according to the lurid reports in the press.

But metal cheeks and Afro beats aside, the trend that had the biggest impact on my trip was undoubtedly an app. “Grab” is a must-download for anyone spending time in the city, a superior Southeast Asian sister to Uber. Not only is the Malaysian-based app wildly popular  – meaning that a car is never more than a few minutes away –  and cheaper than Uber with a better designed interface, it also eliminates the need to give your driver directions. You enter your destination and it pops up in English on an extremely detailed database, with a map directing your driver right there. No more tortuous conversations about “turn left after the Big C” across a language barrier, or taxi drivers who can’t read maps (or often, read at all, even if you have an address written in Thai). Grab revolutionises the ease with which you can explore Bangkok.

 





Day 5 12.00am Ari

26 07 2017

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I dropped the chic (and expensive) vintage store Museum of Everything Jinglebell, with its girly and flamboyant fashions, before meeting a friend for a lunch of street food on Soi Ari: a bowl of noodles, followed by coconut cakes made from two kinds of batter (one salty and one sweet) with corn and chives, and sweet tamarind.

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Face off

18 07 2017

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Photo shoot from Kaltblut magazine.

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Poster boy

15 07 2017

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Sexy muay thai champ, and one of the few Thai celebrities to buck the country’s bleached skin trend, Buakaw Banchamek, goes high fashion for Volume magazine. What a knockout.

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Fashion monster

15 07 2017

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The one and only Francois Sagat ❤️

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Oz: fresh fashion faces from downunder

21 06 2017

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Above, pink-haired Louis Vuitton “it girl” Fernanda Ly, and below, fellow Sydney University student – and instagram-famous photographer, stylist and now fashion world  heavy-hitter – Margaret Zhang.

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Photography straight from the Aussie ‘burbs by Elvis di Fazio, Frank Ocean’s visual collaborator:

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And below, another Elvis di Fazio collaborator, former Sydney club dancer and now top New York model, Daniel Garofali.

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When I grow up, I want to be..

30 05 2017

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Fan Bing Bing at Cannes

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Mommy’s little helpers

17 05 2017

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Bangkok model Cindy Bishop features in an acerbic, and colour-saturated, domestic-themed spread for Thai Harpers Bazaar – just in time for (Western) Mother’s Day!

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Tokyo 70s 80s

2 05 2017

 

Listening to records with friends over the weekend, the subject of Kenji Sawada came up. The fresh-faced and well-scrubbed teen idol morphed in the mid–70s into something much more transgressive, a louche Roxy Music-esque man-vamp in the mould of David Bowie, becoming an enduring Japanese music and fashion icon.

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He also starred in two notable movies, the Man Who Stole the Sun, a psychedelic romp about a rogue chemistry teacher who builds his own atomic bomb, and an iconic turn in the sumptuous Mishima: A Life in Four Chapters.

Sawada also appeared in the advertising campaign for PARCO department store, often paired with J-supermodel of the moment and fellow face of the early eighties, Sayoko Yamiguchi. What a time!

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Yamiguchi also flirted with Western rockers like Steely Dan – on the cover of one of their albums, above – and the rolling Stones.

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Insta-famous

1 05 2017

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Instagram feed shots from Melbourne’s Honcho Disko Party, which looks like it is well worth checking out (above), and Thai actress Araya Chompoo Hargate (below). Despite her fashion icon status, her personal instagram styling has, to my eyes, more misses than hits. This is one of the exceptions.

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And finally, Francois Sagat visits my favourite Paris museum, the Musee de la Chasse et Nature.

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Modern loneliness

25 04 2017

 

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I saw two films at the International Film Festival which, by coincidence, both explored the theme of loneliness. Oliver Assayas’s “Personal Shopper” stars my new fave Kristen Stewart, as a searcher, a psychic, looking for something more than the unwanted life she has found herself in at the periphery of the fame machine, as a Paris celebrity’s personal shopper. Its a strange, meandering little film, full of moments of stillness but also little revelations, not the least of which is Stewart’s great central performance or her effortless normcore lesbo-chic styling. I saw it on a rainy day, the last day of my holidays, at Kowloon’s eighties-tastic Cultural Centre with the director himself in attendance.

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A few days later, the Monday night of my return to work to be precise – I journeyed out to Kowloon Tong, to see “Corpo Electrico” – the Body Electric. It is the first film from Marcelo Caetano, who previously worked on Neon Bull, and that film’s tone is evident again here: an almost plotless (and some might find, pointless) slice-of-life drama, but filled with beautifully observed scenes of every day life, almost like an anthropological documentary, and human warmth. We watch the handsome main character Elias as he daydreams at work, drinks with friends, smokes and does his laundry. Elias, played beautifully by Kelner Macêdo, works as a pattern maker in a Sao Paulo garment factory, passing his time with semi-flings with friends and ex-boyfriends.  At the time, I was charmed but slightly bored by his life, but now the day after I find the film lingering in my thoughts for its loving and very real portrayal of gay life in the early twenties : its intense and flirty friendships,  camaraderie and cliquishness, non-career job boredom and hedonistic weekends, all floating under an unformed and seemingly ominous future.





BKK fashion moment

19 04 2017

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From Tossapol Boonk Boonyatanapiwat.

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He’s got the look

18 04 2017

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Discussed this weekend with a visiting Shanghai fashionista, the PRC’s look du jour – boys in skinny sweat pants, big colourful Kenzo sweaters, and an MCM backpack. Its the complete package.





15 seconds of glamour, love Gucci

18 04 2017





To be or not to be?

8 04 2017





Ambiguously Yours, M+

8 04 2017

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The M+ Gallery is slated to become Hong Kong’s (rather late) attempt as pitching itself as a high culture pitstop. When it opens at West Kowloon, the museum is promised to provide a survey of modern and contemporary art through an East Asian perspective – which of course, museums in Shanghai, Seoul, Taipei and Bangkok are already doing. The acquisition by the museum of many of Hong Kong’s endangered neon signs in a “neon art” display could well be a colourful highlight, however. But until the opening of the museum proper, there is a small temporary display venue, the M+ pavilion, located in the midst of the rubble of the ongoing construction, next to the Western tunnel freeway.

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The second M+ exhibition “Ambiguously Yours” has caught a little bit of attention (the first show went by largely unnoticed) with its retrospective of gender representation in Hong Kong’s 1980s and 1990s pop culture. On display are clips from “golden age” Hong Kong cinema, magazine covers, stage costumes of Anita Mui and Roman Tam and the iconic red sequinned shoes worn on stage by Leslie Cheung before he died. Its a small collection and not without interest but in the end it left me without a clear idea of what exactly the museum was trying to say – what about gender in Hong Kong popular culture? Was this just a “collection of stuff” or was there a salient point being made? If so, it flew over my head.





Korean drag queens, Thai hipsters

11 03 2017

Above, the video for Korean folk maverick Lang Lee and below, Bangkok hipster posse         X0809.

 





Super-baroque

6 03 2017

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Gene Kasidit stars in this fashion shoot for “Surround” magazine, photographed at an incredible neo-baroque (and very Bangkok ) hair salon called “77th studio”. I’m tempted to book in for a cut.

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Face to face

28 02 2017

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21st century boy

12 02 2017

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Meet the new face of Seoul, 16-year-old Nigerian-Korean model Han Hyun Min, who broke out at this year’s Seoul Fashion Week. Sign o’ the times.

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I’ll be the next installment… ;)

26 01 2017